Friday, 8 April 2011
Research into locations
Sunday, 3 April 2011
What have you learnt from your audience feedback?
In what ways does your media product use, develop or challenge forms and conventions of real media products?
By researching other music videos and media theorists such as Goodwin I was able develop conventions of real media products, and use them to my advantage.
Wednesday, 30 March 2011
Researching live performances of other artists
Sunday, 27 March 2011
{INITIAL RESEARCH} I'll Be Yours - Those Dancing Days Analysis




















How did you use new media technologies in the construction and research, planning and evaluation stages?
How did you use new media technologies in the construction and research, planning and evaluation stages?
Monday, 21 March 2011
How effective is the combination of your main product with ancillary texts?
(Final Product)
(Final Product of Advert)Researching other adverts to get ideas for my own advert
Wednesday, 16 March 2011
Advert
I wanted the advert to link in with the album cover so I kept with the same use of yellow behind the font with the added noise for the texture of the beach to link with the music video, and to add an aged effect to the print productions to link to our audience's interest in vintage. I wanted the advert to just be a continuation of the album cover so when audiences saw the advert, they would then recognize the album and be more inclined to watch the music video to see if the music video is similar to the print productions. Like the album cover, I wanted the advert to also link in with the music video which is why I placed a photo of the artist behind the font looking thoughtful and it seems like she is reminiscing to get the sense of a broken up relationship/romance/melancholy. The reason I have placed the font across the artist is because I want the information to stand out and be rememerable to the target audience. The reason my artist is behind the font, also, is because I don't want the artist to stand out so much and be more of a mystery/more private to the audience so the audience will be more interested in researching the artist to find out who she is. The whole advert is aiming towards my target audience (females of a 16-24 age group) because of the feminine font and how it flows together, and the way the artist is in a yellow kind of glow which appeals more to a female audience. I like how the artist's hair is blowing in the advert which again hints at the themes of the music video (melnacholy/break-up of a relationship/reminiscent of the past) therefore aiming at the target audience.
I have chosen the advert to be half of an A4 magazine because I think this artist and it's target audience would prefer an advert which wasn't too 'in your face' but the advert needs to be remembered. Because of the artist's quality and how the target audience' s other favourite artists are quite private and shy (such as Laura Marling) I think the advert needs to be an A4 because the artist needs to be seen by the audiences but not come across as overly confident.
I think the whole advert appeals to the target audience because of the vintage quality of the advert (the noise added to the yellow background) and the use of the flowing font also seems quite artsy. The feel of the advert (mostly in the picture of the artist) connotes the feelings of the music video such as a break-up which makes audiences interested in the rest of the music this artist may have to offer.
Tuesday, 15 March 2011
Album Cover


Monday, 1 November 2010
Our costume decisions
Girl: We asked the girl to wear light colours, and the girl in the music video is a friend of mine and I saw her one day in clothes that were perfect for the music video so I asked her to wear them. She is going to wear a white t-shirt with light coloured flowers on it with a light blue cardigan over the top with jeggings. In the video she will wear a purple jacket to show the girl is out and that her location is cold - by making the coat purple it links back into the girl's femininity opposed to the girl wearing a black coat. By making her wear light colours she seems more feminine, and more girls in our audience will relate to her. Linking back to our audience research the girl links to our female audience because of her light colours, but also her hair because it's long.
Friday, 22 October 2010
storyboard
shot one: split screen of the girl's bedside clock, and the boy's watch. shot two: split screen of the girl in bed while the boy is eating breakfast (both are mid-shots) shot three: another split screen of the girl's bedside clock, and the boy's watch to show a new day. shot four: mid shot of girl in bed wearing different clothes to show that it is another day and the same for the boy who is eating breakfast.
shot five: split screen of the clocks again to show time is continous and the couple have been broken up for a few days. shot six: the girl in bed wearing different clothes, and the boy eating breakfast in a different costume and both are mid shots. shot seven: split screen of the girl making her bed which will be a long shot, while the camera zooms on lyrics on the boys cereal. shot eight: split screen of a close up of lyrics on the girl's bed and a close up of the boy's cereal with the lyrics ruined by him throwing his spoon into his bowl.
shot nine: the girl drawing her blind and letting the light shine into her room. (a shot we decided on after the storyboard was finished) tracking shot from behind of the girl walking to the bathroom and establish that she is in the bathroom. shot ten: close up of the lyrics stuck to bathroom tiles and then shower over them. shot eleven: three split screen of the girl applying mascara, blusher and her lipstick. shot twelve: close up of both of their feet as they enter the station.
shot thirteen: split screen of the camera tracking the boy and the girl walking into the station and establishing that they are at the station. shot fourteen: split screen of a close up of the train station clock at different times to show that the couple are on different times. shot fifteen: a mid shot of the boy and the girl putting their ticket into the barrier and walking onto the platform. shot sixteen: split screen of the camera tracking the boy and the girl as they walk onto the platform and wait for the train.
shot seventeen: mid shot of the boy on the train texting on his phone. shot eighteen: close up of the girl's phone showing she has one new message from the boy (the person he was texting on the train is the girl). shot nineteen: close up of the phone showing lyrics ('sunrise'). shot twenty: split screen of a mid shot of the boy and the girl travelling on the train both looking around them/out of the window/listening to music etc.
shot twenty one: flashback of a series of photographs of the couple having an argument resulting in the girl slapping the boy and her walking away from him. 'Sunrise' will be written across the flashback because sunrise is the most important word of the song. shot twenty-two: mid shot of the boy getting up and leaving the train. shot twenty-three: tracking shot of the boy walking down the aisle of the train and then getting off the train. shot twenty-four: a mid shot from the sea of the boy walking towards the camera and to finish by him standing by the ocean and thinking. all through shot twenty-two to twenty-four it will be a split screen and the girl will be a continous shot of her still on the train to show that the boy gets to the beach before she does.
shot twenty-five: mid shot of the boy standing at the beach looking out over the ocean looking thoughtful. shot twenty-six: close up of the boy's face and engaging the audience into his expression. shot twenty-five and twenty-six there will be a continous shot of the girl still on the train. shot twenty-seven: split screen of the boy sitting on the beach which will be a long shot and then a tracking shot of the girl getting off the train. shot twenty-eight: a tracking shot of the girl walking down Sheringham high street towards the beach.
shot twenty-nine: a long shot of the boy and the girl finally meeting at the beach but not saying anything to each other but the two of them reflecting on the journey they just took and where their relationship still stands. The last shot will be the two of them looking at each other but not saying anything. Tuesday, 19 October 2010
Cheryl Cole - 3 Words
Cheryl Cole - 3 Words (feat. will.i.am) from Burnocchio. Story. on Vimeo.
Plain White T's - Hey There Delilah
hey there delilah from Jordan Lyles on Vimeo.
The above video is Plain White T's - Hey There Delilah which I remembered the other week so during editing my production group has decided that we will edit our music video similar to Hey There Delilah who use split screen in a modern way and the video is very interesting to watch.
Researching into our initial idea
Your secret from Jean-Sebastien Monzani on Vimeo.
Shot List
Girl Boy
SS 1). Close up of alarm clock. Close up of his watch
SS 2). Long shot of her waking up. Mid shot eating his breakfast
SS 3). Close up of alarm clock. Close up of his watch
SS 4). Long shot of her waking up. Mid shot eating his breakfast
SS 5). Close up of alarm clock. Close up of watch
SS 6). Long shot, rolling out of bed. Mid shot eating breakfast
SS 7). Long shot of girls back, as she throws duvet up. Close up of cereal, with lyrics written on cereal.
SS 8). Zooms into the lyrics on the sheets. Mid shot of him throwing the spoon into the bowl disrupting the lyrics.
9). Long shot of her opening blind, revealing song lyrics on window.
10). Song lyrics stuck on shower wall, and spray water over lyrics.
SS 11). Close up of her eye, putting mascara on. (shot 11,12,13; split screen just the girl)
SS 12). Close up of cheek, putting blusher on.
SS 13). Close up of lips, putting lipstick on.
SS 14).Close up of feet walking into train st. Close up of feet walking into train station.
SS 15). Mid shot of back, showing train. Mid shot of back, showing trains.
SS 16). Mid shot showing train st clock. Mid shot if train st clock (different times)
SS 17).Close up of ticket + machine. Close up of ticket + machine.
SS 18). Tracking shot from behind; follow until sat down on the train. Tracking shot from behind;follow until sat down on the train.
19). Mid shot of him texting on his phone.
20). Close up of girl’s phone “1 new Message received”
21).Close up of her phone showing the text; song lyrics.
SS 22). Mid shot, looking out of train window. Mid shot, looking out of train window.
23). Flashback of images of the day they broke up. Flashback of the day they broke up. (sunrise written across the screen)
24). Mid shot, getting up.
25). Long shot, walking down the train; follow him off the train.
SS 26). Continuous shot, on the train. Close up of waves, zooms into him walking
towards us.
SS 27). Continuous shot, on train. Long shot, hands in his pockets looking out
at the ocean looking thoughtful.
SS 28). Continuous shot, on train. Close up of him looking over his shoulder,
and over his shoulder you see the rocks where they broke up.
SS 29). Follow her back as she gets off the train. Continuous shot of him leaving; includes,walking back up the beach, walking back up sheringham high street, getting on train.
SS 30). Tracking shot from behind as she Continuous shot (see shot 29)
walks along sheringham promenade, then continues the shot as she
descends onto the beach.
SS 31). Mid shot of her sitting by the sea, with her knees up, looking at a photo
of him.
SS 32).Close up of the photo.
SS 33). Long shot, getting up, holding photo to her chest.
SS 34). Long shot from behind, dropping photo into the sea.
SS 35). Close up of the photo in the sea.
SS 36). Long shot of her walking away. Last continuous shot of him.
37). Close up of lyrics in the sand, being washed away.
By Louise McGee + Laura Lewis. (Typed by Louise McGee)
Shooting Schedule
Props: Bowl, cereal, clock and all of the make up needed for the girl's scene where she applies make up. Also paper to write song lyrics on.
Costumes: The girl needs three different tops which resemble tops you would sleep in and the same outfit she wears to film at the beach. The boy needs to bring three different t-shirts and bring the same outfit he wore to the beach as well.
Costumes and Props
Train ticket for the shot when the boy and the girl go through the barrier at the train station.
Blusher for when the girl applies blusher in her bedroom.
A mobile for the boy or girl to text from to each other.
When the girl applies lipstick in her bedroom.
Pyjama bottoms for the girl to wear when she is in bed.












